Sūcī · Contents
The shlokas
The meditation verses first, then each of the 182 shlokas of the stotra, in the order they are chanted.
Opening
The thousand names
Shloka 1: श्रीमाता श्रीमहाराज्ञी श्रीमत्सिंहासनेश्वरीBorn from the fire of awareness1–5Shloka 2: उद्यद्भानुसहस्राभा चतुर्बाहुसमन्विताFour arms, and the noose of desire6–9Shloka 3: मनोरूपेक्षुकोदण्डा पञ्चतन्मात्रसायकाThe sugarcane bow and the five arrows10–12Shloka 4: चम्पकाशोकपुन्नागसौगन्धिकलसत्कचाFlowering hair, a crown of rubies13–14Shloka 5: अष्टमीचन्द्रविभ्राजदलिकस्थलशोभिताThe eighth-night moon on her brow15–16Shloka 6: वदनस्मरमाङ्गल्यगृहतोरणचिल्लिकाLove's archway and the darting fish17–18Shloka 7: नवचम्पकपुष्पाभनासादण्डविराजिताA campaka bud, and a jewel that shames the stars19–20Shloka 8: कदम्बमञ्जरीकॢप्तकर्णपूरमनोहराKadamba flowers, and the sun and moon for earrings21–22Shloka 9: पद्मरागशिलादर्शपरिभाविकपोलभूःRuby mirrors and coral put to shame23–24Shloka 10: शुद्धविद्याङ्कुराकारद्विजपङ्क्तिद्वयोज्ज्वलाTeeth like sprouts of pure knowledge25–26Shloka 11: निजसल्लापमाधुर्यविनिर्भर्त्सितकच्छपीThe lute silenced, and a mind gone under27–28Shloka 12: अनाकलितसादृश्यचिबुकश्रीविराजिताThe chin no one has matched, and a knotted thread29–30Shloka 13: कनकाङ्गदकेयूरकमनीयभुजान्विताGold on the arms, pearls at the throat31–32Shloka 14: कामेश्वरप्रेमरत्नमणिप्रतिपणस्तनीA stake laid down, and a creeper in the garden33–34Shloka 15: लक्ष्यरोमलताधारतासमुन्नेयमध्यमाA waist arrived at by argument35–36Shloka 16: अरुणारुणकौसुम्भवस्त्रभास्वत्कटीतटीSafflower on the slope, and a belt that speaks first37–38Shloka 17: कामेशज्ञातसौभाग्यमार्दवोरुद्वयान्विताWhat only her husband knows, and two crowns of ruby39–40Shloka 18: इन्द्रगोपपरिक्षिप्तस्मरतूणाभजङ्घिकाQuivers strewn with rain-insects, and the arch of the foot41–43Shloka 19: नखदीधितिसञ्छन्ननमज्जनतमोगुणाLight off the toenails, and the lotus sent away44–45Shloka 20: सिञ्जानमणिमञ्जीरमण्डितश्रीपदाम्बुजाThe portrait reaches the feet, and beauty is named at its source46–48Shloka 21: सर्वारुणाऽनवद्याङ्गी सर्वाभरणभूषिताThe body totalled up, and the consort finally named49–54Shloka 22: सुमेरुमध्यशृङ्गस्था श्रीमन्नगरनायिकाFrom the world-mountain inward to the couch of the five gods55–58Shloka 23: महापद्माटवीसंस्था कदम्बवनवासिनीLotus forest, kadamba grove, sea of nectar — and then her eyes59–63Shloka 24: देवर्षिगणसङ्घातस्तूयमानात्मवैभवाThe court assembles in praise, and the army moves out64–65Shloka 25: सम्पत्करीसमारूढसिन्धुरव्रजसेविताElephants that attend her, cavalry that encircles her66–67Shloka 26: चक्रराजरथारूढसर्वायुधपरिष्कृताThe chariot called King of Wheels68–69Shloka 27: किरिचक्ररथारूढदण्डनाथापुरस्कृताThe boar-wheel chariot and the wall of fire70–71Shloka 28: भण्डसैन्यवधोद्युक्तशक्तिविक्रमहर्षिताWatching her own powers fight72–73Shloka 29: भण्डपुत्रवधोद्युक्तबालाविक्रमनन्दिताThe nine-year-old and the thirty princes74–75Shloka 30: विशुक्रप्राणहरणवाराहीवीर्यनन्दिताA glance between them, and a son76–77Shloka 31: महागणेशनिर्भिन्नविघ्नयन्त्रप्रहर्षिताThe engine of obstruction, and the answering rain78–79Shloka 32: कराङ्गुलिनखोत्पन्ननारायणदशाकृतिःTen descents out of her fingernails80–81Shloka 33: कामेश्वरास्त्रनिर्दग्धसभण्डासुरशून्यकाThe empty city burned to nothing82–83Shloka 34: हरनेत्राग्निसन्दग्धकामसञ्जीवनौषधिःThe herb that brought desire back84–85Shloka 35: कण्ठाधःकटिपर्यन्तमध्यकूटस्वरूपिणीA body divided into three mantras86–87Shloka 36: मूलमन्त्रात्मिका मूलकूटत्रयकलेवराMade of the root mantra, sworn to the kula88–91Shloka 37: कुलाङ्गना कुलान्तस्था कौलिनी कुलयोगिनीKula, and what lies outside it92–98Shloka 38: मूलाधारैकनिलया ब्रह्मग्रन्थिविभेदिनीThe root centre, the navel, and the first two knots99–102Shloka 39: आज्ञाचक्रान्तरालस्था रुद्रग्रन्थिविभेदिनीThe last knot, the summit, and the rain that comes back down103–106Shloka 40: तडिल्लतासमरुचिः षट्चक्रोपरिसंस्थिताLightning above the six wheels, and the name at last107–111Shloka 41: भवानी भावनागम्या भवारण्यकुठारिकाThe axe laid to the forest of becoming112–117Shloka 42: भक्तिप्रिया भक्तिगम्या भक्तिवश्या भयापहाDevotion has power over her118–125Shloka 43: शाङ्करी श्रीकरी साध्वी शरच्चन्द्रनिभाननाThe autumn moon, and then the turn to nothing126–133Shloka 44: निर्लेपा निर्मला नित्या निराकारा निराकुलाTen things taken away134–143Shloka 45: नित्यमुक्ता निर्विकारा निष्प्रपञ्चा निराश्रयाForever pure, forever awake, forever free144–151Shloka 46: निष्कारणा निष्कलङ्का निरुपाधिर्निरीश्वराWithout a cause, without a master152–159Shloka 47: निश्चिन्ता निरहङ्कारा निर्मोहा मोहनाशिनीWithout I, without mine160–167Shloka 48: निष्क्रोधा क्रोधशमनी निर्लोभा लोभनाशिनीAnger, greed, doubt, and becoming168–175Shloka 49: निर्विकल्पा निराबाधा निर्भेदा भेदनाशिनीNo division, no death, no act176–183Shloka 50: निस्तुला नीलचिकुरा निरपाया निरत्ययाThe end of the negations, and Durgā184–192Shloka 51: दुष्टदूरा दुराचारशमनी दोषवर्जिताThick compassion193–198Shloka 52: सर्वशक्तिमयी सर्वमङ्गला सद्गतिप्रदाAll powers, all mantras199–204Shloka 53: सर्वयन्त्रात्मिका सर्वतन्त्ररूपा मनोन्मनीFrom all the diagrams and all the scriptures to the beloved of the gracious one205–211Shloka 54: महारूपा महापूज्या महापातकनाशिनीSeven great-names, from mortal sin to the great delight212–218Shloka 55: महाभोगा महैश्वर्या महावीर्या महाबलाSix goods of practice, and the sovereign of those who obtain them219–225Shloka 56: महातन्त्रा महामन्त्रा महायन्त्रा महासनाThe great tantra, the great mantra, the great diagram226–231Shloka 57: महेश्वरमहाकल्पमहाताण्डवसाक्षिणीWitness of the dance at the end of the world232–234Shloka 58: चतुःषष्ट्युपचाराढ्या चतुःषष्टिकलामयीSixty-four services, sixty-four arts235–237Shloka 59: मनुविद्या चन्द्रविद्या चन्द्रमण्डलमध्यगाManu's vidyā, and the moon's238–243Shloka 60: चराचरजगन्नाथा चक्रराजनिकेतनाThe king of diagrams, and the mountain's daughter244–248Shloka 61: पञ्चप्रेतासनासीना पञ्चब्रह्मस्वरूपिणीThe couch of five corpses249–253Shloka 62: ध्यानध्यातृध्येयरूपा धर्माधर्मविवर्जिताMeditation, the meditator, and the thing meditated on254–259Shloka 63: सुप्ता प्राज्ञात्मिका तुर्या सर्वावस्थाविवर्जिताThe fourth, and then the first of the five acts260–267Shloka 64: संहारिणी रुद्ररूपा तिरोधानकरीश्वरीThe five acts, and the last of them is grace268–274Shloka 65: भानुमण्डलमध्यस्था भैरवी भगमालिनीIn the middle of the sun's disc275–280Shloka 66: उन्मेषनिमिषोत्पन्नविपन्नभुवनावलीRows of worlds, made and unmade in a blink281–284Shloka 67: आब्रह्मकीटजननी वर्णाश्रमविधायिनीMother from Brahmā down to the worm285–288Shloka 68: श्रुतिसीमन्तसिन्दूरीकृतपादाब्जधूलिकाVermilion in the parting of the Vedas289–290Shloka 69: पुरुषार्थप्रदा पूर्णा भोगिनी भुवनेश्वरीFullness, and the plainest of her names291–297Shloka 70: नारायणी नादरूपा नामरूपविवर्जिताWhere the fourth digit ends and the fifth begins298–304Shloka 71: राजराजार्चिता राज्ञी रम्या राजीवलोचनाA queen in her own right, and bells at the waist305–312Shloka 72: रमा राकेन्दुवदना रतिरूपा रतिप्रियाFortune, the full moon, and a goddess greedy for her lover313–320Shloka 73: काम्या कामकलारूपा कदम्बकुसुमप्रियाDesire drawn as a diagram, and a bulb under the soil321–326Shloka 74: कलावती कलालापा कान्ता कादम्बरीप्रियाWine made from the flower of the previous verse327–333Shloka 75: विश्वाधिका वेदवेद्या विन्ध्याचलनिवासिनीGreater than everything, and living in a particular range of hills334–340Shloka 76: क्षेत्रस्वरूपा क्षेत्रेशी क्षेत्रक्षेत्रज्ञपालिनीThe field, the knower of the field, and the one who guards both341–345Shloka 77: विजया विमला वन्द्या वन्दारुजनवत्सलाTender to whoever bows, and seated in the ring of fire346–352Shloka 78: भक्तिमत्कल्पलतिका पशुपाशविमोचिनीThe wish-yielding creeper, the loosened tether, and the rule of good conduct353–356Shloka 79: तापत्रयाग्निसन्तप्तसमाह्लादनचन्द्रिकाMoonlight on scorched ground, and the dark driven off357–361Shloka 80: चितिस्तत्पदलक्ष्यार्था चिदेकरसरूपिणीConsciousness, and what the word 'that' was pointing at362–365Shloka 81: परा प्रत्यक्चितीरूपा पश्यन्ती परदेवताThe four levels of speech, and the swan on the mind366–372Shloka 82: कामेश्वरप्राणनाडी कृतज्ञा कामपूजिताThe vein that carries her consort's life, and a seat in the Punjab373–378Shloka 83: ओड्याणपीठनिलया बिन्दुमण्डलवासिनीFrom a seat on the map to the point at the centre, and what is done there in private379–382Shloka 84: सद्यःप्रसादिनी विश्वसाक्षिणी साक्षिवर्जिताWitness of everything, witnessed by nothing383–387Shloka 85: नित्यक्लिन्ना निरुपमा निर्वाणसुखदायिनीThe ever-moist Nityā, and half of Śiva's body388–392Shloka 86: प्रभावती प्रभारूपा प्रसिद्धा परमेश्वरीFrom radiance to root-nature: the hymn turns philosophical393–399Shloka 87: व्यापिनी विविधाकारा विद्याविद्या-स्वरूपिणीKnowledge and ignorance, and the moonlight in Kāmeśa's eyes400–403Shloka 88: भक्तहार्दतमोभेदभानुमद्भानुसन्ततिःSunlight into the heart, and four ways of standing next to Śiva404–408Shloka 89: शिवप्रिया शिवपरा शिष्टेष्टा शिष्टपूजिताApproved by the learned, and out of reach of speech409–415Shloka 90: चिच्छक्तिश् चेतनारूपा जडशक्तिर्जडात्मिकाConsciousness and dead matter, and the brahmin's daily prayer416–423Shloka 91: तत्त्वासना तत्त्वमयी पञ्चकोशान्तरस्थिताSeated on the principles, hidden in the sheaths, flushed with wine424–431Shloka 92: मदघूर्णितरक्ताक्षी मदपाटलगण्डभूःRolling eyes, flushed cheeks, sandal paste and campaka432–435Shloka 93: कुशला कोमलाकारा कुरुकुल्ला कुलेश्वरीSix names on one syllable, and the hymn names its own tradition436–441Shloka 94: कुमारगणनाथाम्बा तुष्टिः पुष्टिर्मतिर्धृतिःMother of two sons, and then nine words for what people want442–451Shloka 95: तेजोवती त्रिनयना लोलाक्षीकामरूपिणीFire, a third eye, the garland of letters, the swan, and one plain word452–458Shloka 96: सुमुखी नलिनी सुभ्रूः शोभना सुरनायिकाA face assembled name by name, and then declared too fine to see459–467Shloka 97: वज्रेश्वरी वामदेवी वयोऽवस्थाविवर्जिताMistress of the thunderbolt, mother of the adepts468–474Shloka 98: विशुद्धिचक्रनिलयाऽऽरक्तवर्णा त्रिलोचनाḌākinī at the throat, three-eyed and armed475–479Shloka 99: पायसान्नप्रिया त्वक्स्था पशुलोकभयङ्करीMilk-rice, the skin, and terror to the bound480–484Shloka 100: अनाहताब्जनिलया श्यामाभा वदनद्वयाRākiṇī at the heart: unstruck sound, fangs, a rosary485–490Shloka 101: कालरात्र्यादिशक्त्यौघवृता स्निग्धौदनप्रियाKālarātri's host, buttered rice, and the seal of identity491–494Shloka 102: मणिपूराब्जनिलया वदनत्रयसंयुताLākinī at the navel, three-faced and armed with the thunderbolt495–498Shloka 103: रक्तवर्णा मांसनिष्ठा गुडान्नप्रीतमानसाRed, fixed in the flesh, and pleased by jaggery-rice499–503Shloka 104: स्वाधिष्ठानाम्बुजगता चतुर्वक्त्रमनोहराFour faces, a trident, and a pride that is not a fault504–508Shloka 105: मेदोनिष्ठा मधुप्रीता बन्धिन्यादिसमन्विताFat, sweetness, curd-rice, and the name at last: Kākinī509–513Shloka 106: मूलाधाराम्बुजारूढा पञ्चवक्त्राऽस्थिसंस्थिताThe bottom of the descent: five faces at the root wheel514–518Shloka 107: मुद्गौदनासक्तचित्ता साकिन्यम्बास्वरूपिणीFrom the base of the spine to the brow in half a verse519–523Shloka 108: मज्जासंस्था हंसवतीमुख्यशक्तिसमन्विताMarrow, the swan, turmeric-rice, and the letter ha524–527Shloka 109: सहस्रदलपद्मस्था सर्ववर्णोपशोभिताThe thousand-petalled lotus, where every particular becomes all528–532Shloka 110: सर्वौदनप्रीतचित्ता याकिन्यम्बास्वरूपिणीYākinī closes the cakras; the hymn turns to fire and scripture533–541Shloka 111: पुण्यकीर्तिः पुण्यलभ्या पुण्यश्रवणकीर्तनाMerit, the queen of heaven's worship, and the untying of bonds542–547Shloka 112: विमर्शरूपिणी विद्या वियदादिजगत्प्रसूःSelf-aware light, the mother of the elements, and the warding off of death548–552Shloka 113: अग्रगण्याऽचिन्त्यरूपा कलिकल्मषनाशिनीFirst in the reckoning, unthinkable in form, and the slayer of Time553–558Shloka 114: ताम्बूलपूरितमुखी दाडिमीकुसुमप्रभाBetel, pomegranate red, and five names on a single syllable559–565Shloka 115: नित्यतृप्ता भक्तनिधिर्नियन्त्री निखिलेश्वरीNeeding nothing, reached by goodwill, watching the end566–571Shloka 116: परा शक्तिः परा निष्ठा प्रज्ञानघनरूपिणीThe highest power, the honeyed drink, and the letters572–577Shloka 117: महाकैलासनिलया मृणालमृदुदोर्लताSoft arms on the great mountain, and an empire578–582Shloka 118: आत्मविद्या महाविद्या श्रीविद्या कामसेविताFour kinds of knowing, and the mantra named at last583–589Shloka 119: कटाक्षकिङ्करीभूतकमलाकोटिसेविताMillions of Lakṣmīs, then a moon and a rainbow590–594Shloka 120: हृदयस्था रविप्रख्या त्रिकोणान्तरदीपिकाSun in the heart, lamp in the triangle, Dakṣa's ruined rite595–600Shloka 121: दरान्दोलितदीर्घाक्षी दरहासोज्ज्वलन्मुखीThe slight smile, and the teacher's form601–606Shloka 122: देवेशी दण्डनीतिस्था दहराकाशरूपिणीThe rod of law, the space in the heart, the round of lunar days607–610Shloka 123: कलात्मिका कलानाथा काव्यालापविनोदिनीDigits of the moon, the pleasure of poetry, the two attendants611–614Shloka 124: आदिशक्तिरमेयाऽऽत्मा परमा पावनाकृतिःFrom the immeasurable to the body it wears615–621Shloka 125: क्लीङ्कारी केवला गुह्या कैवल्यपददायिनीThe one who is alone, and the one who is three622–629Shloka 126: त्र्यक्षरी दिव्यगन्धाढ्या सिन्दूरतिलकाञ्चिताThree syllables, fragrance, vermilion, and the mountain's daughter630–636Shloka 127: विश्वगर्भा स्वर्णगर्भाऽवरदा वागधीश्वरीTwo wombs, then the knowledge that has no edges637–644Shloka 128: सर्ववेदान्तसंवेद्या सत्यानन्दस्वरूपिणीWhat the Upaniṣads are for, and who worshipped her first645–648Shloka 129: अदृश्या दृश्यरहिता विज्ञात्री वेद्यवर्जिताA seer with nothing to see, and five names from one root649–657Shloka 130: इच्छाशक्तिज्ञानशक्तिक्रियाशक्तिस्वरूपिणीWill, knowledge and action, and the ground they stand on658–661Shloka 131: अष्टमूर्तिरजाजैत्री लोकयात्राविधायिनीEight forms, the unborn defeated, and no second thing662–668Shloka 132: अन्नदा वसुदा वृद्धा ब्रह्मात्मैक्यस्वरूपिणीFood and wealth, the identity of self and absolute, and a portion set aside669–677Shloka 133: भाषारूपा बृहत्सेना भावाभावविवर्जिताSpeech, an army, and then the refusal of both categories678–683Shloka 134: राजराजेश्वरी राज्यदायिनी राज्यवल्लभाFive names on one syllable: the goddess as sovereign684–688Shloka 135: राज्यलक्ष्मीः कोशनाथा चतुरङ्गबलेश्वरीTreasury, army, empire, and the ocean at the border689–694Shloka 136: दीक्षिता दैत्यशमनी सर्वलोकवशङ्करीConsecration, the quelling of demons, and being itself695–700Shloka 137: देशकालापरिच्छिन्ना सर्वगा सर्वमोहिनीUnbounded, everywhere, and hidden in the cave701–707Shloka 138: सर्वोपाधिविनिर्मुक्ता सदाशिवपतिव्रताFree of every adjunct, and the circle of teachers708–713Shloka 139: कुलोत्तीर्णा भगाराध्या माया मधुमती महीBeyond the kula, and made of honey714–722Shloka 140: स्वतन्त्रा सर्वतन्त्रेशी दक्षिणामूर्तिरूपिणीThe silent teacher who faces south723–727Shloka 141: चित्कलाऽऽनन्दकलिका प्रेमरूपा प्रियङ्करीA digit of consciousness, and a hymn that names itself728–734Shloka 142: मिथ्याजगदधिष्ठाना मुक्तिदा मुक्तिरूपिणीThe ground of a false world, and a woman dancing735–741Shloka 143: भवदावसुधावृष्टिः पापारण्यदवानलाRain on the fire of becoming, fire in the forest of sin742–745Shloka 144: भाग्याब्धिचन्द्रिका भक्तचित्तकेकिघनाघनाMoonlight, monsoon, thunderbolt, axe746–749Shloka 145: महेश्वरी महाकाली महाग्रासा महाशनाThe great eater who would not take a leaf750–756Shloka 146: क्षराक्षरात्मिका सर्वलोकेशी विश्वधारिणीPerishable and imperishable, and a line built out of threes757–763Shloka 147: स्वर्गापवर्गदा शुद्धा जपापुष्पनिभाकृतिःHeaven and release, and the red of the hibiscus764–770Shloka 148: दुराराध्या दुराधर्षा पाटलीकुसुमप्रियाHard to approach, and fond of two particular flowers771–776Shloka 149: वीराराध्या विराड्रूपा विरजा विश्वतोमुखीThe cosmic body, the inward self, and the breath between them777–784Shloka 150: मार्ताण्डभैरवाराध्या मन्त्रिणीन्यस्तराज्यधूःA sovereign who delegates, and a sovereignty no quality can touch785–790Shloka 151: सत्यज्ञानानन्दरूपा सामरस्यपरायणाTruth, knowledge and bliss, and then the same thing with hair and a cow791–796Shloka 152: कलानिधिः काव्यकला रसज्ञा रसशेवधिःTwo treasuries of savour, and then five names beginning in p797–805Shloka 153: परञ्ज्योतिः परन्धाम परमाणुः परात्पराTwo senses of para: what lies beyond, and what comes from outside806–812Shloka 154: मूर्ताऽमूर्ताऽनित्यतृप्ता मुनिमानसहंसिकाFormed and formless, and the swan that settles only on still water813–820Shloka 155: ब्रह्माणी ब्रह्मजननी बहुरूपा बुधार्चिताThe power of Brahmā, the fierce command, the form held open to sight821–830Shloka 156: प्राणेश्वरी प्राणदात्री पञ्चाशत्पीठरूपिणीMistress of the breath, the fifty seats, the mother of heroes831–837Shloka 157: मुकुन्दा मुक्तिनिलया मूलविग्रहरूपिणीShe cures the disease of existence and keeps its wheel turning838–843Shloka 158: छन्दःसारा शास्त्रसारा मन्त्रसारा तलोदरीThe pith of metre, of treatise, of mantra — and the letters themselves844–850Shloka 159: जन्ममृत्युजरातप्तजनविश्रान्तिदायिनीRest for the scorched, proclaimed aloud by the secret texts851–853Shloka 160: गम्भीरा गगनान्तस्था गर्विता गानलोलुपाDeep, proud, greedy for song — and half of another body854–861Shloka 161: कार्यकारणनिर्मुक्ता कामकेलितरङ्गिताOutside cause and effect, and therefore at play862–865Shloka 162: अजा क्षयविनिर्मुक्ता मुग्धा क्षिप्रप्रसादिनीUnborn, undecaying, easily pleased — and only by those facing the right way866–871Shloka 163: त्रयी त्रिवर्गनिलया त्रिस्था त्रिपुरमालिनीFour names beginning in three, four names needing nothing872–879Shloka 164: संसारपङ्कनिर्मग्नसमुद्धरणपण्डिताExpert at hauling out the mired, and every role in the sacrifice at once880–883Shloka 165: धर्माधारा धनाध्यक्षा धनधान्यविवर्धिनीThree names in dha, three in vi: from grain in the store to the turning of the world884–889Shloka 166: विश्वग्रासा विद्रुमाभा वैष्णवी विष्णुरूपिणीThe world as one mouthful, and a printed word that hides a seam890–897Shloka 167: वीरगोष्ठीप्रिया वीरा नैष्कर्म्या नादरूपिणीThe circle of heroes, and the point at its centre898–905Shloka 168: तत्त्वाधिका तत्त्वमयी तत्त्वमर्थस्वरूपिणीAbove the categories, and made of them906–911Shloka 169: सव्यापसव्यमार्गस्था सर्वापद्विनिवारिणीBoth paths, and the steadiness they ask for912–917Shloka 170: चैतन्यार्घ्यसमाराध्या चैतन्यकुसुमप्रियाConsciousness poured out as the guest-water918–922Shloka 171: दक्षिणादक्षिणाराध्या दरस्मेरमुखाम्बुजाA slight smile, and a priceless gift923–926Shloka 172: स्तोत्रप्रिया स्तुतिमती श्रुतिसंस्तुतवैभवाA hymn names her the lover of hymns927–933Shloka 173: विश्वमाता जगद्धात्री विशालाक्षी विरागिणीMother of everything, and free of every colour934–941Shloka 174: व्योमकेशी विमानस्था वज्रिणी वामकेश्वरीSky for hair, thunderbolt in hand, five gods for a couch942–947Shloka 175: पञ्चमी पञ्चभूतेशी पञ्चसङ्ख्योपचारिणीThe end of the fives, and a sovereignty that cannot lapse948–954Shloka 176: धराधरसुता धन्या धर्मिणी धर्मवर्धिनीFive names of holding, then four of having gone beyond955–963Shloka 177: बन्धूककुसुमप्रख्या बाला लीलाविनोदिनीThe scarlet flower, the girl, and the woman of the house964–970Shloka 178: सुवासिन्यर्चनप्रीताऽऽशोभना शुद्धमानसाFrom the woman in the room to the point at the centre971–976Shloka 179: दशमुद्रासमाराध्या त्रिपुराश्रीवशङ्करीTen seals of the hand, and then the seal that is knowledge977–981Shloka 180: योनिमुद्रा त्रिखण्डेशी त्रिगुणाम्बा त्रिकोणगाThe last two seals, three triangles, and one plain word for mother982–989Shloka 181: अभ्यासातिशयज्ञाता षडध्वातीतरूपिणीKnown only by long practice, and given away for nothing990–993Shloka 182: आबालगोपविदिता सर्वानुल्लङ्घ्यशासनाThe thousandth name, and the line that closes the singing994–1000